Women Writers Forgotten No More

By Michelle Lecumberry, Design Editor and Emily Slater, News Editor

Katerina Wagaman, interview courtesy

Women are a crucial part of history. Nevertheless, women are often forgotten even though they are usually the game changers.

Next semester, Lone Star College-Kingwood English Professor Joan McAninch Samuelson has a mission to bring back women’s’ writers who are often forgotten and left out of the narrative.

Samuelson said, “That’s what I want to show the students. They may think they know some famous women in history. They may not know that in their own time they were also known as brilliant writers, but that got lost due to prejudice.”

Samuelson’s English 2341 class is designed to empower women and teach them about their history. Students can sign up for the fall class now.

“I don’t want someone who’s just looking for a class…I want students who are interested, men and women…interested in literature…history…in women’s’ struggle,” Samuelson said.

Samuelson said the best Women’s Studies students are men. “ You don’t get the men involved in the marches if you yell at their faces. That’s what happened in the 70s and that’s why the movements lost ground with the men.”

The Women Writers course (ENGL 2341) will be offered during Fall 2017 on Monday, Wednesday, and Friday at 11:00-11:50 a.m.

Isabella Arguello, first-year student, said, “I want to major in creative writing and having a women’s writing class would be a really great experience for me and other women.”

Rose Koch, first-year student, said, “Knowing more about women writers is important.”

“I will be really interested in the women’s writing class because I think that women are often overlooked in terms of literature and that is really important to bring women to the spotlight to promote women into writing more,” Koch said.

This class includes literature from women such as Mary Wollstonecraft Shelley, the Brontë sisters, Jane Austen, Elizabeth Barrett-Browning, Emily Dickinson, Virginia Woolf, Sylvia Plath, Isabel Allende, Maya Angelou, Toni Morrison, Zora Neale Hurston, and more.

Cara Young, first-year student, said, “The class [Women Writers], to me as a woman writer, is meant to give names such as Hemingway and Hughes someone to stack up with. Ladies like Mary Shelley, Louisa May Alcott, and Maya Angelou deserve the respect their work inspired, and I’m happy to see someone taking an interest in it.”

Women writers using a man’s “nom de plume” is not outdated. J.K. Rowling, the writer of the Harry Potter novel series, used her initials because her publisher, Barry Cunningham, thought Harry Potter’s targeted young male audience might be put off by a book written by a woman. This phenomenon is nothing new. Charlotte Brontë, the writer of the classic novel Jane Eyre, had to publish her books as Currer Bell for her work to be taken seriously. Louisa May Alcott wrote gothic thrillers as A.M. Barnard, because that genre was considered “unladylike.”

“The class [Women Writers] helps women feel empowered and intelligent. It is a class that celebrates women’s’ excellence and changes and enhances the perception of writers in history,” Emory Aguilar, first-year student, said.

“New generations are born into equality and diversity, but [women] still have to fight some battles,” Samuelson said. “I need my students to understand, I’ve taught this class for years, but it’s never been more important than it is right now.”

To enroll in the class, students must have completed both English 1301 and 1302. The students interested must want to work with other people. It is both a history class and a writing class. Students read great works and then write about them. Aside from the the few essay assignments, students will also be required to keep a journal about their thoughts on their readings. Enrollment is now open.

Graphic design by Emory Aguilar.

 

From Generation to Generation

By Cara Young, Columnist

Sunday, April 9, from 12pm to 3pm students of Lone Star College- Kingwood had the opportunity to attend a master class in music.

In layman’s terms, a master class is when a professional artist in the area comes to campus to offer their experience and expertise on a subject to the students willing to attend. The artist teaching Sunday was Irina Kulikova, a Russian classic guitarist and experienced master class educator.

Kulikova advises student in Master Class with his personal set Apr. 9  Photo by Cara Young.

Under the wing of her mother and cellist, Vinera Kulikova, she developed a relationship with music early on. At twelve, she was travelling through Russia and abroad, for concerts and festivals. Two years later, she was included in the book, The Classical Guitar, its evolution, players and personalities since 1800 by Maurice Summerfield. She has given concerts in twenty-five countries, performed as a soloist and with several orchestras.

Over the years, she received over thirty awards, culminating in 2008 with first place at the prestigious competitions of Michele Pittaluga in Italy, Guitarra Alhambra in Spain, Forum Gitarre.

The class consisted of three students informally playing pieces of music and receiving feedback, tips, and strategies to improve their performances. Steve, the student who performed first, said he was hoping to get feedback on how to go about fixing a personal set that he was sure had technical problems.

Kulikova answering Master Class students questions Apr. 9. Photo by Cara Young.

One of the students not performing, but having received word of the event, Garret, said he looked up the artist’s work and understood the level of skill the teacher possessed and was wanting to gain similar classical guitar abilities and showing up seemed like a good step.

When asked Kulikova responded-

  • What made you choose Kingwood?

“It fit the schedule, but I was glad I got to come to this particular campus. Everything is lovely here and the campus is beautiful.”

  • Do you enjoy teaching? Why?

“Yes. I love to share my experience and knowledge from practicing, traveling, and facing situations I have. I want to help people establish a very good basis for the guitar.  I see a problem, I want to solve the problems, people want to be useful and helpful and this is my way of doing that and it is my way of providing help to the future.”

  • What made you choose the guitar?

“I didn’t chose it. To my mother, it was popular and I was just a child and I saw it like a toy, but when I started to see music as a profession, I saw I made people happy by playing. It was so natural even when I tried to stop I couldn’t. It gets inside of you like part of your soul and we are part of each other. I cook and sing just for myself so I can sound better in classes like this. But the guitar is my tool that I know best. Even with other guitars, not only Simon Marty, I feel an expression I love. Teacher inspiration was also important. I had a piano teacher I loved but when she moved away my new teacher began to make me see it as an obligation not as a pleasure, but I never felt that with the guitar.”

  • How do you relax before a performance?

“When you are playing for yourself imagine that you are playing for a million people, but when you’re playing for one, either yourself or someone close to you, or if you look out and see someone in the audience smiling and excited, you say I will play for them.”

Kulikova adjusting students grip in Master Class Apr .9 Photo by Cara Young.

 

Adventures with Cam: Ride em’ CamBoy: Ride or Die Chili Style

By Cameron Purcell, Columnist

It was a lovely, sunny day.

Though it was not the sun that made this day so lovely.

No, there was something far greater than the sun.

Today was the day that at Lone Star College-Kingwood there was a chili cook-off.

I had enlisted a fellow member of the newspaper to help me document this beautiful event, Emory. I could sense the chili the night before the cook-off, it’s delicious smells transcending the boundaries of time and alerting me to their inevitability.Upon our arrival, I was confronted by my greatest enemy: Paying for things. It turned out we had to pay money to sample the chili of the master chefs, and I felt bullets slice through my wallet and pierce my thigh.However, my love for chili overpowered my reluctance to pay for the event, and so I bought tickets for both Emory and me.

Love makes us do stupid things sometimes, but the wonderful feeling itself is well worth what you must put into it. I consider myself a romantic-For chili.

Every chili had its own unique taste and composition. One chili was even made without meat, and it tasted good! Unfortunately, the time came at the end for us to cast our vote on which chili we liked the best.

I was so immersed in the realm of chili, I had forgotten to remember which I liked the best! I looked back at the contestants, some of whom eyed me eagerly. I could see hope in all of their eyes. Yet, I still could not remember which chili I liked the best! All I knew is it was one of the more recent chilis I ate.

In the end, I chose the chili somewhat close by, based entirely on the fact that the girl who made the chili was gussied up in a nice cowgirl outfit. A petty way to choose chili, but I could not retaste the selection.

My guilt was eradicated and replaced by joy, however when one of the staff informed me of the mechanical bull inside of the PAC building.

Emory and I knew what I had to do.

I had Emory walk behind me and record a video, instructing her to make sure the shot was very dramatic, something one would see in the movies.

You see, I am a master of mechanical bull riding. I have developed a technique that has kept me on some of the meanest mechanical bulls for a solid minute at the least. I leaped onto the bull with the grace of an eagle and readied myself to show this machine who was the boss.

My plans were thwarted, however, when I was informed I would not be allowed to grab the bull’s head upon my attempt to do so. This was a key element to my technique, and I had realized it was all over before it even began.

Still, I would not be deterred. I am a man of my word, and I said I would ride this bull.

“He may not be the hero we need ,but he’s the hero we deserve,” Aguilar says. Graphic design by Emory Aguilar. Click on the picture to watch a video by Emory Aguilar.

And so, the bull started. There’s something magical about bull riding. Time seems to slow down, and one second feels like five or ten. What doesn’t last is the split second it takes you to fall off but the memory of it goes on for eons.

I hadn’t even lasted half a minute on the bull, and I ended up tearing off one of its horns by accident as I fell off. Thankfully, I could just stick it back in place.

My heart was not so easily fixed.

I had betrayed the chili gods, and I had left a stain on my mechanical bull riding legacy. It hurt, but these are sacrifices we must make in life. Whether a sacrifice is made for one’s morality, a newspaper, or both, it is a core foundation of life and all of the human society: Sacrifice. Sometimes that sacrifice comes in the form of failure, but like riding a bull, you need to pick yourself up and make up a hundred excuses as to why it’s not your fault.

Design with Heart

By Michelle Lecumberry, Design Editor

On April 7 in the Administration building, The Design-a-thon took place. The Design-a-thon was created to help the community. The purpose was  to provide non-profit organizations with free graphic design. Organizations like Mothers Against Cancer, Neighborhood Assistance Corporation of America (NACA), Millennium Global Prosperity (MGP) , and Kingdom Soccer Project all received free graphic design services from Lone Star College-Kingwood students.

Zoila Donney said, “Students have the opportunity to get community service hours, practice, create new pieces for their portfolio and an overall a rewarding experience.”

Students working on their projects for nonprofit organizations in the Administration Building, Apr. 7. Photo by Keyla Lerma. Click picture for a quick video by Michelle Lecumberry. 

The Design-a-thon is 12 hours long from, 8 a.m. to 8 p.m. Most students stayed for 8 hours.

Julio Rodriguez, third year student said, “This event helps me grow as a designer because it pushes my mind for ideas”.

In the first two years,the event had about 50 students donate over 240 work hours and complete 55 out of the 63 projects that were  submitted. Each year, LSC-Kingwood helped anywhere from 9 to 14 local areas.

Zoila Donney said, “This year was one of the largest years. Approximately 29 non-profit organization with 69 projects.”

Non-profit chairs with Zoila Donney, graphic designer and Visual Communication Professor in Administration Building, Apr. 7. Photo By Keyla Lerma.

Jesus Verastegui, first year student said, “It’s going to help me with creative aspect because it definitely requires critical thinking, and especially with the short time range, you just have to pump up all these ideas.”

Design-a-thon “Better Community, Better World” slogan banner Administration Building, Apr. 7. Photo By Keyla Lerma.


When Books Talk Back

By Gabrielle Moore, Editor-in-Chief

Lone Star College-Kingwood student and employee Clayton Huff said “Everybody’s got a story, regardless of what color they are, where they’re from, what they’ve experienced in their life and you can learn a lot from different people’s stories.”

These stories are literally and figuratively brought to life in an annual program called Human Library, hosted by LSC-Kingwood’s non-partisan organization Center for Civic Engagement. Participatory individuals near and far are invited by active members (faculty and staff) of the program to tell their stories and provide informational perspectives and voices for the student-body, essentially as “human books,” as CCE refers to them.

Reaching its fourth year in the program, the Human Library was hosted on March 28 and  March 29 in the Student Conference Center.

This program provides students an environment unfamiliar to them and exposes them to novel outlooks, ideas, and voices.

Every year, the human books selected come from characterized backgrounds and have individual stigmas of society that often marginalize and/or normalize their voices by either purposely suppressing or simply misunderstanding them.

Jennifer Boyd, a second-year student said, “I just went in for the grade not knowing that I would find out some interesting information, and it would open my mind to really think more on the issues.”

Second-year student Jennifer Boyd discusses “Alcoholics Anonymous” with participatory human book Cecilia M. on Mar. 29 in the Student Conference Center. After having discourse with the second human book she checked out, “Intersex”, she left the Human Library feeling “more aware” of realms that were once unfamiliar with her. Photo by Gabrielle Moore.

Boyd checked out two books during her visit in the Human Library: “Alcoholics Anonymous” and “Intersex.”

Through “Alcoholics Anonymous,” Boyd learned that the nonprofit organization “teaches people…how to help one another [without getting angry],…not making it a conflict and how to resolve issues when they arise and not try to change their person…to just let them be themselves and just be yourself.”

“Alcoholics Anonymous” was checked out by another couple of students–though with a different perspective and voice from Boyd’s human book–second-year students Michael Sodano and Jennifer Rickman, who found themselves–at first, feeling “awkward”–asking more questions than they could have preconceived of the experience.

“It was a lot like reading a book…but I thought this was almost better than a book because you get to ask them questions then and there; you don’t have to go Google,” Sodano said. “I felt like I got to learn a lot more than if I just read a book about dealing with alcoholism.”

Moreover, students started to open up their own books within themselves, as this was the case for second-year student Victoria Vargas who checked out the book “Do We Know What We Are Learning?”

Second-year student Victoria Vargas converses with Bradford Goodwin, the human book over “Do We Know What We Are Learning?” on Mar. 29 in the Student Conference Center. Although completely void of expectations of the Human Library experience, Vargas “wasn’t uncomfortable talking about the future…it’s life.” Photo by Gabrielle Moore.

“I felt very comfortable,” Vargas said. “Like, he started asking me about myself–my siblings, my family and all that, what I thought about doing in the next couple years, where I wanted to go.”

On the subject of her academic future, Vargas said that her human book left her with the advice to “always have something to fall back on” and “have it related to each other.”

As the program’s organizer for this year, Huff found that it “highly exemplifies what’s going on this campus” especially considering the “high majority of the same demographics” in the overall community.

“When you have a program like this, in an area like [Kingwood] with, essentially, one large demographic, you bring in all these demographics and all these different people and all these different religions and different ethnicities and nationalities, and different ideologies; I think it benefits that community as well, because these students here live in this community,” Huff said.

StarBursts: The Thing of Beauty and Creativity

By Hunter Llenos, Reporter

Quoted in the letter from the editors of the 2017 edition of the student literature and art magazine StarBursts, Leo Burnett once said, “Curiosity about life in all its aspects, I think, is still the secret of great creative people.” That is what this student-led publication exhibits of and provides for the students of Lone Star College-Kingwood.

StarBursts started with humble beginnings in 2011, but because of no funding it was dropped, until English Professor Darlene Beaman who then became department chair decided she “did not want it to die”; thereby, reviving the publication in 2015 with the creation of a student editorial team within the StarBursts Creative Writing Club.

The cover of StarBursts 2017 edition. Photo by Gabrielle Moore. Click here or on the image to view the magazine online.

English Associate Professor Cindy Ross, the advisor of the StarBursts Creative Writing Club, says that a lot of the selected submissions made are “based on…the quality more so the writing.”

The student editorial team, which consists of StarBursts Creative Writing Club Editor-in-Chief Sydney Buck, Managing Editor Bay Berger, Co-Editor Amber Barfield, and Secretary Gabrielle Moore, works with Ross and co-adviser and English Professor Peter Feldman in meetings to review all submissions for the magazine. The team also works closely with Art Professor Mari Omori on the visual art selections to StarBursts.

“We have a wonderful student body here,” Ross said. “We haven’t faced [problems with censorship and inappropriateness of content] yet, even with the poetry–usually it’s really good quality, usually not politically charged; it’s nice expression. But we are looking for things like that when we choose.”

Regarding the future of the student organization, Ross envisions certain revisions to it that will, essentially, benefit both the students submitting their artworks and those working on the editorial team. She is looking to organize “editing events, and I am hoping that people would want to come to work on their own poems or their own short stories to have some time to get some feedback.”

The publication is currently located on the LSC-Kingwood website as well as available in hard copies. Although the magazine is meant for campus readers, the future of StarBursts relies on its ability to grow in ways that don’t limit the search-ability of certain publications, which English Professor Darlene Beaman hopes for StarBursts.

“Having it online I think is good, that way it’s more searchable, but I think it would be nice if the works inside the StarBursts were searchable,” Beaman said. “Right now if someone searched their name I don’t think it would show up so I think it would be very nice if it were searchable in that way.”

There is also means to get the word out more to students other than what has been used (i.e. fliers, Club Rush) to get more student involvement and accessibility.

The magazine–with the help of the visual art and creative writing faculty members–is centered around students showcase their published works of literature and art.

Second-year student Bay Berger reads a passage from her short story “The Before” during the StarBursts Reception in the Music Recital Hall, Apr. 4. Photo by Hunter Llenos.

On the evening of April 4, students, faculty, and their family and friends came together to celebrate the magazine and all the students published within it. Many of the published students got the chance to present their work on stage of the Music Recital Hall.

Stephen Garza, a student at LSC-Kingwood, published his work, “Almost Like Hope,” inspired by “the idea of someone trying to cope.”

The short story tells of a young widow learning to cope with the loss of her husband’s life. Within this life lesson, she tries finding ways of moving on until she comes upon a “chance encounter” that gives her that little hope she needs for the future, Garza said.

“I like to write about pain; it’s something that we all experience. We all experience things that are terrible, and through all that there’s still hope,” Garza said.

Cy’ria Walker, who published her artwork “Twin Trouble,” drew her inspiration from somewhere much her own. Walker said, “The objective of my piece was to find similarities between my sister and I, things we hate and things we love. So I decided to do the things we hate; washing dishes.”

“Twin Trouble” by first-year student Cy’ria Walker, published in Lone Star College-Kingwood’s StarBursts: 2017 edition.

An aspect that was refreshing was her take on what inspired her to center her work on things she hated. “I wanted to challenge myself, to create art out of something that wouldn’t normally inspire me. I started thinking about my art piece having a deeper meaning than just myself, so I combined the viewpoints of myself and my sister.”

Walker is currently working on two art pieces: “one is a conte piece focusing on the human form,” and the other is “a mixed medium to draw details of a car through the windows or mirrors.”

“StarBursts to me means a head start in my career, which ever I may choose. It is a chance to get my name out there quicker without having to jump through so many hoops,” Walker said. “StarBurst can give us the proper start we need to get our careers going.”

Magan Porter shared multiple photographic works in StarBursts. One of three of her published works can be found on the cover of the magazine titled “Alice in Wonderland.” The inspiration for this work came from “the idea that in this world of black and white she is looking for color and adventure,” Porter said. Porter finds that in wonderland, “this [is a] place of art, music, creativity, and color.”

“Alice in Wonderland” by first-year student Magan Porter featured in Lone Star College- Kingwood’s StarBurst Magazine: 2017 edition.

Regarding Porter’s other two works, “Reflection of The Soul” points to how what “we see in a mirror are different than what we see if someone showed us our soul,” and “Child’s Play” is similar in thought, but in the guise of innocence where children “color in a world of black and white.”

First-year student Magan Porter speaks on her piece “Child’s Play” in the Music Recital Hall during the StarBursts Reception on Apr. 4. Photo by Hunter Llenos.

For this magazine to show such appreciation to the students and their works is paramount to universities that strive to expand their students abilities in ways that also encourage them.

Jim Stubbs, Dean of Fire Science, Letters, Arts, and Kinesiology, and supporter of the StarBursts magazine, said that StarBursts provides him “the opportunity to really understand, level with our students” as well as “[give students] the chance to express themselves.”

Lone Star College-Kingwood students (left to right) Stephen Garza, Iris Varianti, Judith Kirkeeide, Kimberly Koltcz, Cy’ria Walker, Amber Barfield, Magan Porter, and Gabrielle Moore sign StarBursts magazines on Apr. 4 outside the Music Building. Photo by Hunter Llenos.

“I got the opportunity to put my work out there and that is an indescribable feeling that I can’t express in words, and as a student it gives us…[the opportunity] to share our passions and what we love, not only to share it with ourselves but all of Lone Star,” Porter said.

Future Humans at LSC-Kingwood

By Emily Slater, News Editor

“The people of tomorrow will not be the same as the people of today,” said Scott Solomon, professor of Ecology, Evolutionary Biology, and Scientific Communication at Rice University and author of Future Humans: Inside the Science of Our Continuing Evolution.

Solomon gave a book talk at the Lone Star College System’s Bayou City Book Festival, a weeklong event taking place across the LSC campuses, beginning on April 3 with “Mystery Monday” at LSC-Montgomery and culminating with Friday’s Saturday’s events at LSC-Kingwood.

In his book, Future Humans, Solomon discusses the ongoing evolution of man.

Future Humans Inside the Science of Our Continuing Evolution by Scotto Solomon. Apr 8. Photo by Michelle Lecumberry.

“People think of evolution as something that happened a long time ago, but as an evolutionary biologist, I see it as an ongoing process,” said Solomon during his presentation talk in LSC-Kingwood’s Student Conference Center.

First-year LSC-Kingwood student Thomas Stillman said, “I found it interesting to hear Dr. Solomon talk about the potential future of mankind and if we’d keep evolving or not.”

During his talk, Solomon outlined the ways humans are continuing to evolve, through natural selection, sexual selection, globalization, and modernization.

First year LSC-Kingwood student Melanie Quijano said, ““[Solomon] was brave enough to speculate about the future of humans through evolution,” first year LSC-Kingwood student Melanie Quijano said, “I learned a lot of interesting stuff, too, like that a study found that women choose men based on their scent and women that are taking birth control are losing that ability.” 

Scott Solomon signs copies of his book Future Humans Inside the Science of Our Continuing Evolution by Scotto Solomon. Apr. 8 Photo by Keyla Lerma.

Solomon noted that his book is not science fiction and doesn’t try to say where human evolution is headed, “taking what we know about the past and present and applying it to our future.”

Judging from the Cheap Seats: Book Festival

By Cara Young, Columnist

This past Saturday, Lone Star College- Kingwood hosted an event called the Bayou City Book Festival. The festivities started on April 3 and ran through April 8 allowing an event to take place at each LSC campus, which lead up to the big finish right here at Kingwood.

As an enthusiast for the written word, I, of course, attended from start to finish with the company of my beautiful boys and a few like minded  friends. The event made a spectacular first impression as the diversity among activities and tables caught not only the attention of the eyes and ears, but the nose as well. There were twenty plus authors’ tables set on the grass and along the sidewalk  in between the Performing Arts Center and Student Conference Center buildings, several rooms reserved inside the building, promotional vans decorating the quad, live music pouring from the stage in front of the Health and Science building, and food trucks set up in the SCC parking lot. Aside from the lectures and book signing opportunities, activities such as live children’s book readings, 3D printing, face painting, a panel featuring Jon Land and Heather Graham, even a poetry contest and drum beating tent popped up through the day.

The first activity our group partook in was what we came to call “The Puppy Room”. It was a room set aside to pet or play with trained therapy dogs and/or read children’s books. My boys reveled in the attention and the love these furry beasts gave them, despite being about two and a half feet tall. They, along with one of my adult party goers, listened to a fittingly canine-themed book.

On the way out we decided on the lectures we would attend at what times, we unfortunately could not attend all of them, but found great deals of entertainment in the slots we did choose .  Our first lecture was Comic-al Biographies by Peter Bagge and Joe Ollmann. The lecture was educational while interesting. While I am not an artist I can relate to the interest and controlled amounts of passion these men spoke with about their books. Even with the interruptions of my whiny  toddlers, they carried through their presentations quite nicely and maintained a presence that was kind, patient, and professionally charming.

Bayou City Book Festival at LSC-Kingwood on April 7 2017. Photo by Keyla Lerma.

After visiting each and every table, I can tell you the age range on these books varied in  all ages from young ones who love being read to, to children just developing an interest in reading, to those who are already well versed in the joy reading can bring to a person. It was beautiful watching these intertwine and develop as time went on. The atmosphere was warm, ease putting, and emanated from a sense of what I can only describe as belonging. (Yes, I did buy a couple books for my kids and myself as we strolled through, which the authors were happy to sign for us!)

After a lunch break at one of the food  trucks out front, which were worth the money, came the face painting! And while my babies can make anything look cute it was a fun addition to the day. By this time, we were ready to take advantage of the picnic area where the kids could stretch their legs and play outside their stroller and enjoy the grassy ground. We did attend the live book reading of It’s Too Windy and The ABCs to Ranching by Patty York Raymond, which included music and dancing for the kids listening. The reading was energetic and entertaining as was the dancing and singing.

In the end, a good time was had by all! I almost didn’t want to leave as everyone began to pack it in, but a good deal of exhaustion had started to take over and a nap was calling my name.

Bayou City Book Festival leaflet at LSC-Kingwood on April 7 2017. Photo by Michelle Lecumberry.

Untold Stories

By Michelle Lecumberry, Design Editor

Untold stories are the ones that haunt us.

Bayou City  Book Festival was presented by Lone Star College from April 3-8, 2017. The main day was conducted on the LSC-Kingwood campus.

On April 8 during the Book Festival in the Performing Arts Center building, the Comic(al) Biographies conference was taking place.

Joe Ollmann and Peter Bagge thrive on untold stories.

Peter Bagge’s “Fire! the Zora Neale Hurston Story” on sale in the Bayou Book Festival at Lone Star College-Kingwood, Apr. 7. Photo by Keyla Lerma.

Bagge is the author of “Fire!!: The Zora Neale Hurston Story”. In the comical biography, he tells the story of Zora Neale Hurston who challenged the norms of what was expected of an African American woman in early 20th century society. She was the  fifth of eight kids from a Baptist family in Alabama.

Hurston arrived in New York City at the height of the Harlem Renaissance. Her love for dramatics compelled her to become  friends with  Langston Hughes and Wallace Thurman.

“The Abominable Mr. Seabrooke” by Joe Ollmann on sale during the Bayou Book Festival at Lone Star College-Kingwood, Apr. 7. Photo by Keyla Lerma.

Ollmann wrote the story of Journalist William Buehler Seabrook, who participated in voodoo ceremonies, riding camels cross the Sahara Desert, communing with cannibals, and ultimately becoming one.

Seabrook was a barely functioning alcoholic who was deeply obsessed with bondage and the so-called mystical properties of pain and degradation.

His life was a series of traveling highs and drunken lows; climbing on and falling off the wagon again and again. Something Ollmann could relate to being an alcoholic himself.

Ollmann said, “Seabrook was extremely famous during his life but his downfall was becoming a cannibal which made people want to forget about him.”

Due to his second wife burning everything, Ollmann spent  10 years looking for his story and more details about his life.

Both Ollmann and Bagge agreed and said that even if the process of creating a Comical Biography is “hell” and sometimes “they question why are they doing this,” but in  the end when there is  a finished product, it is worth it.

Authors Joe Ollmann and Peter Bagge with Lone Star College-Kingwood faculty moderator in Performing Arts Center building on Apr. 7. Photo by Keyla Lerma.

Rising Thrill

By Michelle Lecumberry, Design Editor

“Writing is the one profession that you don’t choose. It chooses you. It’s like an itch you have to scratch. You don’t have a choice.” -Stephen King

The Rising

Heather Graham is a New York Times bestselling author. Jon Land a bestselling author of 41 novels. They collaborated to create a book called the The Rising. On April 7, during the Bayou City Book Festival. The pair participated in Lone Star College’s Bayou City Book Festival with a panel discussion on their careers, and their novel, moderated by LSC-Kingwood English Professor Icess Fernandez.

Fernandez read the summary of this book as;

“Twenty-four hours. That’s all it takes for the lives of two young people to be changed forever.

Alex Chin has the world on a plate. A football hero and homecoming king with plenty of scholarship offers, his future looks bright. His tutor, Samantha Dixon, is preparing to graduate high school at the top of her class. She plans to turn her NASA internship into a career.

When a football accident lands Alex in the hospital, his world is turned upside down. His doctor is murdered. Then, his parents. Death seems to follow him wherever he goes, and now it’s after him.

Alex flees. He tells Samantha not to follow, but she became involved the moment she walked through his door and found Mr. and Mrs. Chin as they lay dying in their home. She cannot abandon the young man she loves. The two race desperately to stay ahead of Alex’s attackers long enough to figure out why they are hunting him in the first place. The answer lies with a secret buried deep in his past, a secret his parents died to protect. Alex always knew he was adopted, but he never knew the real reason his birth parents abandoned him. He never knew where he truly came from. Until now.”

The Rising by Heather Graham and Jon Land. Photo by Michelle Lecumberry.

Defining a thriller.

Land said, “I think every book is a thriller, as long as it keeps you turning the page. It is the book that you can’t put down.”

Graham said, “A thriller– It doesn’t matter what genre it is in as long as it keeps you interested,”

The Rising is defined as a Young Adult, thriller and Sci-fi. Graham defines her book as a Young Adult.

Starting a writing career.

Land  said,  “I’ll talk about book negative one, because we are in a college. I wrote my first book as a senior thesis independent study project at Brown University. When I went to college, I didn’t know what I wanted to do. I fell in love with writing because with Brown’s curriculum I was able to explore something different. The book was not very good it was terrible but the fact that I finished it and I learned from that because before you can be a published author you have to finish a book that can’t be published.”

After having her third child, theater major Heather Graham had a typing machine that was missing the letter “e”. Once she began writing, Graham later had to fill in the letter “e” herself. Being in a desperate mood, she got published by the unexpected Harlequin Publisher.

(Left to right) Author Jon Land, English Professor Icess Fernandez and Author Heather Graham at The Rising Thrill panel during the Bayou City Book Festival in LSC-Kingwood. Apr 8 . Photo by Michelle Lecumberry