Several Lone Star College-Kingwood Faculty Members Experienced the Solidarity of the Women’s March in Austin

By Gabrielle Moore, Editor-in-Chief

dominant-crowd-mikha(Left photo) Mikha Mitchell and her colleagues located on the southside of West 11st Street upon the Capitol lawn in Austin, Texas, Jan. 21. (Right photo) Mitchell and colleagues passing the Capitol on West 11st Street. Photos by Mikha Mitchell.

Powerful. Peaceful. Organized. Respectful.These words have different definitions from one another and varying definitions within themselves. Yet, they all had one thing in common on January 21: they were experienced by several faculty members who were participants of the Women’s March on Washington (WMW).

Majority of those faculty members that were part of the WMW marched in the Sister March in Austin, Texas which had 40,000 to 50,000 demonstrators.

“The march was exceeded by expectations. It was powerful and overwhelming,” reference librarian Mikha Mitchell said. “There [was] an undertone of anger and frustration, but that whole march was about loving each other and respecting each other.”

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Librarian Mikha Mitchell and colleagues made buttons along with signs courtesy of the Women’s March on Washington website for their participation in the Sister March in Austin, Texas on Jan. 21. Photo by Mikha Mitchell.

Furthermore, as education Professor Brenda Stubbs put it, the march “was a unifying opportunity” for millions of people across the United States and the world.

“Older women had signs that said such things as, ‘We have fought this fight before. We didn’t think we would have to fight this fight again,’” Stubbs said.

Even though this fight for and protection of women’s rights date all the way back to the late 1800s, the WMW organization arose the day after the Election Day of 2016 and became official on December 9, 2016. The organizers drew a lot of inspiration from the 1997 Million Women March–so much so, in fact, that the 2017 march was originally slated to share a name with its 1997 predecessor. They also drew much inspiration from the many trailblazers of the like of this organization, such as Elizabeth Cady Stanton, Ella Baker, Shirley Chisholm, Angela Davis, and Sylvia Rivera.

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The official logo of the Women’s March on Washington. Courtesy photo by Women’s March on Washington.

History Professor Stephanie Kelly describes the organization’s general vision and principles as a “broad umbrella,” and it is because of that massive umbrella that this protest had been “the largest in the history of America.”

Furthermore, the WMW promotes and represents solidarity in all aspects of women’s rights and beyond, as well the acknowledgement of all voices. It is this belief and practice of inclusivity, listening to one another, and seeking to be properly heard that these faculty members also work to bring about in the classrooms.

Stubbs had told a student one time, “I’m not trying to change your value system, but we’re introducing you to things where you can see differently, because that’s important for them to know, especially as first-time college students.”

This concept of open-mindedness to hearing others’ voices in this country is a considerably large aspect of the WMW. The broadest message of the WMW is the inclusivity, solidarity, and peace among all peoples, cultures, communities, and voices that not only blanket this nation but appears in other countries, too. As one begins to narrow the scope of their overall message, the WMW also focuses on the rights and respect of all women, whether it be social, political, domestic and abroad. Additionally, they make sure to acknowledge and seek respect for the various subgroups that exist in today’s world.

“[‘My Body, My Choice’] was the predominant focus on that. [However], there were subtexts; there were different communities, too.” Mitchell said.

For example, Mitchell marched for the rights of women broadly, but she shared her voice in the rights of the LGTBQIA community as well. For Kelly, she marched because President Donald Trump’s administration had unveiled the dividedness and the sense of offense towards women’s and civil rights in America. What could put Kelly’s reason more in context is Division Coordinator of the Fire Science, Letters, Arts, and Kinesiology Department (FLAK), Mitzi Payne’s reason for marching: “I was marching to ensure I kept those rights. I don’t want to go back in time.”

“This protest was more than just about women,” Kelly said, even though the “organizers are putting the women’s issues front and centered.”

paramount_picmonkeyThe Paramount Theatre in Austin, Texas shows their support with a message on their marquee that said, “With Liberty and Justice for All.” Reference librarian Mikha Mitchell and education Professor Brenda Stubbs recall seeing men with supportive signs in balconies surrounding the theater, Jan. 21. Photo by Mikha Mitchell.

And while there may have been many demonstrators who completely disagree with the Trump administration and that disagreement was part of the undertone of the march, the WMW is about “bringing together people…to affirm our shared humanity and pronounce our bold message of resistance and self-determination,” not necessarily to halt the Trump administration.

“I think [the Trump administration] is a huge piece of [the WMW]. I think it would be ignoring a lot if we didn’t acknowledge that,” Stubbs said. “He brought it forward. He’s bringing it forward, and the way in which he did, it’s attached to him, and there’s a price for that.”

That price, Stubbs is referring to, is the response of this peaceful protest nationally and internationally, and what is to follow.

While Mitchell understands that “as a group…[protests] are one way of making a physical [and visual] impact,” she also wanted to point to what people can do after the activism.

“You can call your representatives,…you can email them, talking to them in person might be useful, and letters, too,” Mitchell said.

Kelly also suggested a more practical action beyond the political and social demonstration and “do more than just marching in the streets.”

“What needs to happen now is there needs to be some kind of national [statement]. I don’t think it should be called anti-Trump, but it should be called something that captures a lot of issues,” Kelly said. “I would like see a national umbrella take this over.”

The WMW is in the midst of their newest campaign, “10 Actions for the First 100 Days.” The organization is currently in Action 2 for the first 10 days of February which calls for potential participatory neighborhoods, communities, even small groups, to come together “to define our next steps, and envision how to transform the energy we saw at Women’s Marches into local and national action.”

Aspiring Animator Amid His First Major Cartoon, Continues Search for More Voice Actors

By Gabrielle Moore, Editor-in-Chief

Drawing by Jordan Jenkins, a representation of “The gang’s all here.”

Sophomore Jordan Jenkins, at eight years old, not only watched cartoon shows, he started creating his own. Inspired by different childhood cartoon favorites such as Ed, Edd, n’ Eddy, Kids Next Door and Camp Lazlo (and, as he got older, cartoons like Family Guy and Aqua Teen Hunger Force), Jenkins is in the midst of developing his first major cartoon animation, Boys.co Gang. So far, he has drawn up comics, shorts and “finished frames” for one of his first shorts, and explaining the cartoon fully to his team.

Sophomore Jordan Jenkins, the creator of the developing cartoon Boys.co Gang.

Originating as just drawings and later becoming a comic strip, this young-adult cartoon revolves around an all-guys group referred to as the Boys.co Gang, led by Jenkins’ character named JD Jenkins, who go on misadventures and encounter strange mysteries. This group of guys, however, are not alone–they often encounter their all-girls group rival, the Girls.Inc Squad. Jenkins said that much of the story idea “came from growing up.”
The story takes place in 2008 Humble, Texas, which Jenkins sees as “a clean slate” from his hometown of Cleveland, Texas. Jenkins has drawn over 70 different characters for the series, 20 of which are voiced and will make more frequent appearances than the unvoiced characters.

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Thumb Rebellion 2A Boys.co Gang comic strip created by Jordan Jenkins titled “1, 2, 3, 4, I declare Thumb War Rebellion.”

Boys.co Gang is just one of five cartoon projects that Jenkins has become fully invested in which he would like to see appear on television.

“I wanted to be on TV at first, but eventually I decided [on], you know, ‘Let’s try to make it go [on] the internet, make it like an online series,” Jenkins said.

Even though Jenkins has created much of the art and written several of the shorts for the show, , he has opened up his project for others to join in helping him bring his story and characters to life.

During the Fall 2016 semester, he had his first calling for voice actors, successfully adding a good number of new members to his team.

Sophomore Cadence Johnston said in regards to being on the project, “We all love cartoons pretty much on the same level.”

Just recently, Jenkins has reopened his call for voice actors for this semester up until March 27. Auditions are held in the food court, Student Activities Center (currently closed due to construction), and/or the Student Life boardroom labeled SCC 237 in the Student Conference Center, Tuesdays from 12:30 p.m. to 3 p.m. and Wednesdays and Fridays from 10 a.m. to 1 p.m.

“You can just come in from the woodwork and we’ll find a character for you,” Jenkins said. According to Jenkins’ flier, the requirements for voice actors include:

  • Good reading skills
  • Passion
  • Willingness to practice scripts
  • Flexible schedule
  • Ability to not take things personally
  • Must be 18+ years old

The current cast members of Boys.co Gang with the characters that they voice: (left, right) Anne-Marie Dickey, Caleb Jeferson, Cadence Johnson, Deion “Eli” Hill, Emily Beaman, Lizzie Noxon, Morgan Montgomery, Noel Muller, Preston Cale. Photos by Jordan Jenkins.

Voice actors “usually spend around 2 to 3 hours” practicing the script “just to get a feel for the work we’re doing or if we have questions about certain things,” Jenkins said. He is also seeking out new members that embody the skills for story writing, animation, organization and planning.

As for a premiere date, Jenkins sees that appearing just a couple months away.

If you would like more information about joining, please contact Jordan Jenkins at boyscogang0@yahoo.com.

Finding Paradise: Environmental-Art Exhibit Makes Difference with “Edge of Eden”

By Emily Slater, Copy Editor

eden5_batwaBatwa culture captured in poster collage on display  in the LSC-Kingwood Fine Art Gallery. The images on this collage reflect the lives and living conditions of the Batwa. Jan. 25. Photo by Abigail Morar.

From her first encounter with the Batwa pygmies of Southwest Uganda in 2014, Wendee Nicole Holtcamp was prompted to uproot her life in Houston and move to Uganda to start Redemption Song Foundation. This foundation is a nonprofit dedicated to bettering the lives of the indigenous people evicted from Bwindi Impenetrable National Park through community development, education, and artisan co-ops, a program in which items made by the tribal peoples are bought and resold, with the income going back into the community development fund.

eden2Straw baskets made by the Batwa women placed around the LSC-Kingwood Fine Art Gallery on Jan. 25. The woven baskets are selling at the Edge of Eden and proceeds go towards helping the Batwa pygmies. Photo of Abigail Morar.

According to Redemption Song Foundation, “people living near Bwindi Impenetrable Park suffer from some of the most abject poverty in all of Uganda.”

The Batwa are indigenous to what is now Uganda’s Bwindi Impenetrable National Park, created in 1991 in order to save the endangered mountain gorillas that used to dwell in the area. When the national park was established, the Batwa were forced from their home with no compensation, causing extreme poverty and a number of other societal issues within the Batwa community.

“The Edge of Eden” is Lone Star College–Kingwood’s first art show of the spring semester. The many photographs on display are just a few of the 5,000 photographs by Holtcamp which LSC-Kingwood students in Professor Brian Shmaefsky’s Environmental Science 1401 class sorted through for the exhibit. The exhibit also displays two models of Batwa dwellings, contrasting the Batwa’s living conditions before and after being evicted from their home in the amazon, and a short video about Redemption Song and the Batwa pygmies, all created by Shmaefsky’s Environmental Science 1401 classes.

batwahomesThese 1/6th models of the Batwa Forest/Prior Dwelling were constructed by students of the Environmental Science 1401 class in the LSC-Kingwood Fine Art Gallery. The Batwa pygmies took advantage of the Bwindi Impenetrable Forest resources by using grass, palm leaves, bamboo stems, and humus-rich clay to build their houses. Jan. 25, Photos by Abigail Morar.

According to Shmaefsky, the message he hopes is portrayed by the exhibit is that “everything we do to protect the earth has consequences.”

The exhibit came together by accident after Shmaefsky and Fine Arts Gallery Director Kristine Larson ran into one another at a Redemption Song fundraiser. Shmaefsky saw the exhibit as the perfect opportunity to bring art into his science classes. The integration of art into STEM (science, technology, engineering, and mathematics) education is called STEAM (science, technology, engineering, art/design, and mathematics) education, of which Shmaefsky is an advocate.

The LSC-Kingwood Fine Art Gallery is open Monday throughThursday from 10 a.m. to 3 p.m. and is located in the Performing Arts Center. The last day to explore “The Edge of Eden” is February 7.

Clown Craze

By Sarah Reece, Staff Writer

“This clown situation is ridiculous,”said Lonestar-Kingwood freshman Mark Ragusin(cq). “How can someone want to play dress up and walk around forests and streets all by themselves late at night just to scare people? They can catch these hands(they can fight me).”A lot of students are feeling that they should take these matters into their own hands as the situations begins to threaten them.

According to Melissa Chan(cq) from Time.com, the clown sightings began in South Carolina in August of this year. First, it seemed there intent was to scare children even more than nightmares of clowns already portrayed to them from movies and books. Now, as growing attraction to the phenomenon occurs, the clowns are outreaching to college campuses.

These attacks are no joking matter. They are affecting the community, and now they are targeting college students.

Learn more from a video at https://www.instagram.com/p/BLINrXxDAab/?taken-by=oconnelldan .

According to the student body of LSC after questioning several people on campus, a list was constructed to help make students aware of the different ways they can stay safe whether it is on campus or at home.

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Sauerkraut and Clubs Top Oktoberfest

Oktoberfest_shrunkPhotos by Ashlae Jaetzold.

Oktoberfest, hosted by Office of Student Life, highlighted live German music and traditional food on October 25. Students got to meet and greet with clubs that participated in the event.

Adventures with Cam: Paintball and Honor

1867151184_efcca4ab04_bCreative Commons, Photo by Victoria Padevit Brown. License: https://creativecommons.org/licenses/by/2.0/. No changes were made.

As told by Cameron Purcell, Staff Writer

IMG_4580_croppedWhen I first heard of the paintball event that would be sponsored and paid for by Lone Star College-Kingwood, I could not have been more excited. However, I was a naive boy, blinded by dreams of glorious paint-based warfare.

Before battle, all of us were briefed on the rules and regulations of warfare. The most notable being that if you were shot, you were to raise your hands up and escort yourself to the timeout zone. 

The first match was to be a battle between Kingwood as the opposition, attempting to claim a castle being held by the students of North Harris.

As soon as the match began, our team ran for cover as a seemingly unending torrent of paint balls flew towards us.

We slowly advanced towards the castle, lobbing a few paint balls at the enemy before rushing forwards to a new area free of fire. I devised a plan. Like true soldiers, they did not question it, and one ran out into the hailstorm as the other mate and I ran for cover. The plan went off without a hitch.

I felt some remorse, however, as I saw my teammate take a walk of shame back to the beginning of the field, covered in splatters of yellow paint. I made a promise to myself that his sacrifice would not be in vain, that Harris would never set foot in this castle ever again!

That promise was quickly shattered into minuscule pieces.

I felt the first paintball hit my exposed arm. It was like a miniature knife piercing my skin for a split second, followed by a stinging pain that turned my skin red before it was covered in running paint. Shortly after, an individual had braved the storm of paint and planted his hand on the castle wall, ensuring victory for Kingwood. This was followed by yet another victory, and another…

At the end of the day, Kingwood came out with one more loss than wins, and we ascended beyond mere boys and had become men. Except for the girls, they became women.

Not only was it an exhilarating journey that flooded me with adrenaline and determination, but I formed brotherly bonds with others who hailed from LSC-Kingwood. It was an honor fighting alongside them and serving our campus proud. Paintball is something I highly recommend to anyone even mildly interested in the prospect.

 

Honoring Female Playwright of Longest Running Murder-Mystery

Agatha Christie's MousetrapCreative Commons, Photo by Matthias Rhomberg.

By Kirsten Fuller, Managing Editor & Gabrielle Moore, Editor-in-Chief

Two driving factors for theater Director Eric Skiles and the department to choose Agatha Christie’s The Mousetrap, was the idea of honoring female playwrights and murder mystery. The Mousetrap (with an added modern twist) is an edge of your seat, visual page-turner, classic murder mystery question of ”Who done it?” This well-renowned play still shows eight times a week at St. Martin’s Theatre in South London.

Aside from the immense length of the play, there is something that can be taken away from this. “Things may look a certain way to the obvious eye, but really keep all options in mind,” Carl Hailey said, an alumnus who played “Detective Sergeant Trotter, “kind of like Sherlock Holmes, if you eliminate all other options, what is left, even if it’s unbelievable, that must be the answer.”

daytime_stMartinstheatre_editCreative Commons, Photo by shrinkin’violet.

The cast consisted of three alumni, four current LSC-Kingwood students, and one service area high school student. The seven who were casted after Labor Day. The cast and crew were all part of the collaboration process in creating Christie’s play at LSC-Kingwood. When Skiles was asked how he viewed directing:

“I view directing as being an air traffic controller. My job is to let all the planes fly around because they know what to do. I just have to have to keep them from running into each other.”

The theater department has three upcoming productions of Spring 2017: Ann-Marie McDonald’s Goodnight Desdemona, Good Morning Juliet directed by Kalliope Vlahos is first to premiere on the Main Stage of the Performing Arts Center on February 23rd at 7:30 p.m.

These four productions are part of the 2016-2017 theater season where the department is asking the school to join them in celebrating the female playwrights, to which Katelynn Bauer who played as “Miss Casewell” in The Mousetrap said, “it’s great that they’re focusing on that.”